June
22
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“Behold the Man”

When I first saw this painting, I thought it had a modern feel to it. However, it was actually painted in 1510 by Lucas Cranach the Elder, a renowned German Renaissance painter and engraver. Cranach was a close friend of the Protestant reformer Martin Luther. His artwork often centered on religious figures and narratives, aiming to assist Luther by bringing the scriptures to life through art for the illiterate masses.
This painting invites us to look intently into a moment of Jesus’ suffering and humility, when he was crowned—not with the glory he deserved, but with mockery and pain; with flesh-penetrating thorns. The few lines of blood are said to indicate that the thorns were stuck deep into the skin. According to the Gospel of John, this is how Jesus was presented to the people, with Pontius Pilate saying, “Ecce Homo” (“Behold the man”).
Cranach’s painting uniquely captures the intensity of Jesus’ suffering, with deep sorrow etched into his face and the evident cruelty of humanity that placed him there. The painting is meant to be viewed up close, where Christ’s gaze is fixed slightly past the viewer, as if focused on something just beyond our sight—perhaps the fulfillment of his Father’s will. The intimate detail of his slightly open mouth adds to the painting’s emotional depth. Amid the anguish, we glimpse a quiet strength, reflecting Jesus’ character and resolve. Ultimately, the crown of thorns, initially a symbol of scorn, transforms into a symbol of his victory over darkness and death.
Being Human connection: What would I have done if I had been in the crowd when Pilate presented the beaten man? Cranach’s painting isn’t just an historical artifact but a visual reminder of the heart of the Gospel. Tarry awhile with this poignant portrait and let it inform your understanding of Christ’s love and sacrifice.
Featured art: Lucas Cranach the Elder, Christ Crowned with Thorns, 1510, private collection

Dear Laurieetta,
Again thank you for this beautiful reflection. Yes, sorrow indeed in the raw face of human cruelty but I also see love and kindness, a deeply benevolent bewilderment at all.
Erik